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I n this film, Andrea Arnold has demonstrated her mastery and fluency in the social-realist idiom, and simply makes it fizz with life. Having now watched Fish Tank a second time, I am more exhilarated than ever by Arnold's idealism, and in a movie marketplace where so much is vapidly cynical, this is a mistral of fresh air. Arnold finds a way into the fashionable notion of a "Broken Britain", but in place of the pundits' dismay and contempt, she offers tenderness and hope. If Ken Loach were ever somehow called on constitutionally to nominate a successor, it would surely have to be Arnold. She's got the grit; she has Loach's humanism and optimism and she has a happy knack of getting great performances out of her cast, particularly from Michael Fassbender, who proves that he's not just sex on a stick — he's complexity and vulnerability on a stick as well. Added to this, Arnold and her cinematographer, Robbie Ryan, conjure some glorious, almost Turner-ish images of the Essex countryside, with its racing summer skies.
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The Circle puts their game faces on, staring daggers into the Squad as they stroll in. Some are more welcoming than others, but the tone quickly turns shady when Tina asks after Elliott. Rather than acknowledging how arbitrary the vote was, the Squad reaches for thin justifications. Elliott, initially excited to get one up on the queens who eliminated her, looks genuinely hurt when Kahmora and Joey critique her drag behind her back.
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His handsome blandness is a trap with which he captures the innocent Effie Dakota Fanning , whisking her away from her parents in Scotland and depositing her into his family home in London, where he is controlled by his tyrannical father David Suchet and mother Julie Walters , who insists on giving her grown son a bath after his long voyage. This movie is too tasteful to actually show you Mrs. Ruskin bathing her adult son and what that might look and feel like, and so we are left wondering, with Effie, just what is wrong with her marriage from the start. On their first night together in the house, Effie comes into their bedroom and expectantly takes off her nightgown. Wise makes it clear that Ruskin has never seen a nude female body before in the flesh, and he also makes it clear that Ruskin is repelled by what he sees, and also fearful.
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Theo Oakes Fegley was there with his mother when a terrorist attack happened, killing her and others, and leaving rubble. Theo awoke and took the painting, something that had survived for centuries, handed down over generations, but now looks like it could get lost in the grief spiral that Theo is about to enter over the next two decades of his life. Before taking the painting, Theo is handed a ring by a dying man, and told to take it back to his partner Hobie Jeffrey Wright. With his mother dead and his father MIA, young Theo becomes a part of two worlds—that of an upper-class family that takes him in, led by a matriarch played by Nicole Kidman , and the antiques shop run by Hobie. Over nearly pages, told in first-person, Tartt has the freedom to get readers into the development of Theodore Decker in ways that they simply never figured out how to replicate on film.
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Comments
  •   porcoman January 1, 2021
    Such a good little kitten;)
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